TAMA HS100W Snare Drum Stand

Katia de Peyer $ 92.98
One of the best characteristics of the HS100W snare drum stand is its versatility.  The STAR series stands are engineered to fit every snare drum size from 12 in. to 15 in. and piccolo to deep dish. Designed to put your rim shot in the most comfortable position. Their hybrid joint fittings combine all the advantages of flexibility and smooth action to give you precise placement and stability.  TAMA didn’t stop there! The STAR series stands are constructed with their True-Sound Insulation Mute – so less vibration sound makes it into the mix instead and is absorbed by the stand, letting the attach of your drums and cymbals ring true. Dale recommends the STAR series hardware because it gives you all you need in a well made snare drum stand. Cradle-Hold Snare Basket Since no vertical post is needed to adjust the spread of this snare basket, you can achieve a much lower position. Simply by loosening the T-nut, you can adjust the length of the arm. The claws of the snare drum basket provide minimum contact with the snare drum, maximizing resonance while still securing the drum to the stand. Omni-ball Tilter Use of the legendary Omni-ball system provides the same flexible yet stable angle settings found on TAMA tom stands. True-Sound Insulation Mute It’s widely known that the vibrations of a cymbal or tom will transfer to the stand, causing the natural sound to be partially absorbed by the pipe. To maximize isolation and bring out the true sound of cymbals and toms, an inner pipe mute is equipped on the top pipe of all STAR series stands. Preset Quick-Change Snare Basket Sizing STAR snare stands can accommodate snare drums from 12″ all the way to 15″ in diameter, with minimal adjustments. Oversized Rubber Feet with Retractable Spike Extra-large rubber feet offer great stability, and retractable spikes provide even more support when needed. Glide-Tite Grip Joint Our new Glide-Tite Grip Joint allows for a more secure attachment by using a metal-to-metal contact point. This provides an extremely solid anchor and complete isolation for a tom or cymbal. Because the stand does not move with the instrument, the natural resonance of that instrument is maximized.
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Contents

1. My Dance, Our Symphony
2. New York
3. 16 Langford Place
4. The Chamber Music Society
5. Musical Roots
6. Horovitz, Milhaud, and Mozart
7. Life in New York
8. Musical Colleagues and Friends
9. Challenges
10. Carnegie Concert Hall and the World of Musicians
11. Porto Vecchio
12. A Music Festival at Sea
13. The Assisi Festa Musica Pro
14. Castello di Duino and a Turning Point
15. The Washington Sinfonia
16. More Musical Colleagues and Collaborations
17. Sweet and Sour
18. Master Teacher, Master Passeur

Acknowledgements
Newspaper, Text and Photographic Credits
Appendix A: Gervase de Peyer, Principal Clarinet
Appendix B: Select Recordings
Appendix C: An Extract from Portraits 1: Gervase de Peyer
Select Bibliography
About the Author

About the Author

Katia de Peyer’s first book Dancing with MySelf, Sensuous Exercises for Body, Mind and Spirit (Nucleus Publications, 1991; La Source Press, 2026) introduced her method of inner-centering through movement, hailed by Diane von Furstenberg as a whole new attitude about exercising. Her second book Enjoy Your Healing Power (La Source Press, 2025) is an intuitive, helpful guide for developing our healing power.  A ballet dancer born in Paris who lived in Spain to further her studies in flamenco, Katia moved to New York in the late sixties to start a successful career as a personal trainer. There she met the virtuoso clarinettist Gervase de Peyer in 1976.  She and Gervase married in 1980 and lived for two decades in the US and then in the UK until Gervase’s death in 2017.  Katia continues her work as a writer and healer in London and New York.

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