Hokema Sansula (Basic)

Katia de Peyer $ 96.56
Description Handmade with quality, eco-friendly wood, the beautiful Sansula makes a wonderful addition to any sound healing instrument collection or for just having fun. The Sansula is an innovation of the kalimba, patented by Peter Hokema. The Sansula is essentially a kalimba suspended on a drum head which produces a longer, more resonant sound. The kalimba is a metal-tined instrument played by plucking the tines with the thumb. There are endless versions of kalimbas in all shapes and variations. This versatile instrument originated from sub-Saharan Africa and is a form of the lamellophone.   Technical details Sound: The vibrations of the kalimba tines are amplified in different ways. You can use a resonator, traditionally a hollow vessel such as a gourd from a calabash tree or simply a piece of solid wood. The vibrations of the Sansula are a little different to the kalimba, due to the drum head-like membrane and frame. These vibrations are first ‘stored’ in a wooden block and, from there, transmitted to the resonating membrane. The sound is far more prolonged than via other means of amplification. You can also create a ‘wah-wah’ effect by covering and uncovering the lower part of the frame after playing some notes. For example, by using a tabletop or your lap to create the effect. (Watch video below for demonstration) Due to the tuning, the octaves are adjacent. Consequently, it’s easy to coax a superb, soft, warm sound rich with overtones from the instrument. Now the Sansula Basic is also available in the four Koshi Chimes Tunings, Terra, Aqua, Aria & Ignis, so now you can play your Sansula Basic very harmoniously with Koshi Chimes! Tuning/Fundamental Note: – A minor 440Hz or 432Hz ( A – C – C – A – A – F – E – E – B ) – Koshi Terra 432Hz ( G – C – C – G – G – F – E – F – B ) – Koshi Aqua 432Hz ( A – D – D – A – A – G – F – F – B ) – Koshi Aria 432Hz ( A – C – C – A – A – G – E – E – B ) – Koshi Ignis 432Hz ( G – B – B – G – G – E – D – D – A ) Uses: The Sansula is easy to use and can even be played by children. It is a popular choice for sound healers and anyone interested in sound healing, sound meditation or any form of relaxing meditative music. Membrane material: Cellulose Dimensions: 198 x 155 x 67 mm Origin: Southern Africa Made in: Germany   Listen to the Hokema Sansula (Basic)     Care: Keep your Sansula in a dry area, away from moisture. Avoid any extreme temperatures. Clean it regularly using a soft cloth or brush to remove dust and debris from the keys. Caution: Small children may love the Sansula Basic, but the membrane is unsuitable as it can be easily damaged with ‘wild play’. A more robust version of the Sansula instrument would be more appropriate for little ones. We recommend the Rennaissance (Melody) or Sansula Deluxe, which have stronger membrane types.   Explore the full range of kalimbas Shop All Kalimbas
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Contents

1. My Dance, Our Symphony
2. New York
3. 16 Langford Place
4. The Chamber Music Society
5. Musical Roots
6. Horovitz, Milhaud, and Mozart
7. Life in New York
8. Musical Colleagues and Friends
9. Challenges
10. Carnegie Concert Hall and the World of Musicians
11. Porto Vecchio
12. A Music Festival at Sea
13. The Assisi Festa Musica Pro
14. Castello di Duino and a Turning Point
15. The Washington Sinfonia
16. More Musical Colleagues and Collaborations
17. Sweet and Sour
18. Master Teacher, Master Passeur

Acknowledgements
Newspaper, Text and Photographic Credits
Appendix A: Gervase de Peyer, Principal Clarinet
Appendix B: Select Recordings
Appendix C: An Extract from Portraits 1: Gervase de Peyer
Select Bibliography
About the Author

About the Author

Katia de Peyer’s first book Dancing with MySelf, Sensuous Exercises for Body, Mind and Spirit (Nucleus Publications, 1991; La Source Press, 2026) introduced her method of inner-centering through movement, hailed by Diane von Furstenberg as a whole new attitude about exercising. Her second book Enjoy Your Healing Power (La Source Press, 2025) is an intuitive, helpful guide for developing our healing power.  A ballet dancer born in Paris who lived in Spain to further her studies in flamenco, Katia moved to New York in the late sixties to start a successful career as a personal trainer. There she met the virtuoso clarinettist Gervase de Peyer in 1976.  She and Gervase married in 1980 and lived for two decades in the US and then in the UK until Gervase’s death in 2017.  Katia continues her work as a writer and healer in London and New York.

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